After a year and a half in Edinburgh, I'm assured I'd still not be mistaken for a local as I don't yet detest the
Edinburgh Fringe. I also don't understand pies. Why does everything here have to be a pie? Meat pie, Scotch pie,
breakfast pie, chips pie. I don't know.
I kind of get the Fringe animosity. For the month of August, Edinburgh turns into a permanent festival. Except
that this festival is mostly made up of students trying to give you flyers. I sometimes felt there were more
flyer-distributors than there were Fringe visitors. Initially I tried to take the flyers because at least I knew
I'd recycle them. But after walking through Quatermile a few times and finding myself physically weighed down by
the four tonnes of paper I'd accumulated, I decided to adopt an avoidance strategy. I've been told that, to put it
mildly, I'm not particularly approachable. I have one of those faces, affectionately known as 'Resting Bitch Face'.
'What's wrong?' people always ask.
'Nothing. This is just my face.'
It turns out the only people in the world who DON'T think I have RBF are Edinburgh Fringe Flyer Distributors.
For the first week, our friend Bunch was visiting. So of course we went to as much Fringe as possible. I think by
the end he was feeling more jaded by the Fringe than most of the locals. But we soldiered on.
The Fringe has some weird stuff. I was lured in to a show that promised an interactive murder mystery. So excited
was I by the words 'murder mystery' that I somehow totally ignored the 'interactive' part. Now, substitute
'interactive' with 'mandatory audience participation' and 'murder mystery' with 'at the end she randomly took all
her clothes off and demanded someone tie her to a chair'. To be fair, the audience at the show were utterly awful
at participation. It was as if the whole audience was made up of multiple versions of me.
My friend Sam attended a show where the solo performer felt the need to ask that the audience not refer to it as
a sex show, because that's technically illegal. So that will give you an idea.
Among my favourites was 'Seance'. High on the weird scale, you and 15 other people go into a shipping container,
with one long dining table down the middle. It's decorated sort of like an old Victorian dining room. You each
have a set of headphones that you put on, then are plunged into total darkness for 20 minutes while a purely
auditory stereo seance takes place. The stereo quality was perfect, so the imaginary man leading the seance sounds
like he's moving from person to person, and you just know there'll be a voice right at your ear at any second.
A benefit of the Fringe is that virtually every building in Edinburgh turns into a venue. That nice old church
you always pass? A venue. Basement of that grimy pub you once had to drink in? A venue. The communal hallway for
your flat? Also a venue. This means that you can visit all the buildings you always wanted to see into. One of my
favourites was the vaults. There's something so mysterious about walking in a door and immediately going down
stairs.
Despite my initial enthusiasm, I wasn't sorry to see it go in September. After a while this sense of guilt starts
creeping in. How many times have I seen the poster for That-Comedian-I-Like and I still haven't gone. The crowds
get a little irksome. Idea for next year: Special travelators for residents who just want to go to Sainsburys to
do their shop.